Our George Banks, Tod Harrick, writes about his thoughts about Mary Poppins, his role, doing this as a family, and the magical Kitsap Forest Theater:
Virginia Woolf wrote that “on or about December 1910, human character changed.” The story of the Banks family in Mary Poppins, and George in particular, is that change – of modernity – in microcosm. He is struggling mightily to be what he believes he should be, but in his heart he knows that if the child he was saw the adult he has become, he would hate himself.
To me, Mary Poppins is only a fantasy at the very surface. At its core, it is a very real, very human tale. The rigid class constraints of Victorian England are breaking down. Sweeps are coming into the parlor, nannies are kind, and Mary Poppins brings the magic of emotional freedom and with it unlimited potential. To us, living in a time and place of much, it may be difficult to remember, but Mary Poppins reminds us how magical personal freedom can be to those who do not have it.
And in the same way, The Kitsap Forest Theater is a microcosm of what to me makes the Pacific Northwest great, the combination of awe-inspiring natural beauty with vibrant human creativity and communal effort. Every time I walk down that path to the theater, through trees that could only grow here, cascading ferns evoking primordial landscapes, and – when they are blooming – Rhododendron blooms like floating pink clouds, and enter into the natural amphitheater surrounded by giant firs and birdsong, with the gentle rush of the creek in the background, I am transported into another world.
The first time we came here, it was because we thought it would be a great place to introduce theater to young kids, giving them the chance to see a show without having to sit inside a dark room for 3 hours. We saw Beauty and the Beast. We were right. The picnic lunch and trails to run on at intermission filled gaps in nicely and gave our children the opportunity to really enjoy their first musical. The show itself was top-quality. Not knowing much about the theater at the time, we assumed it was a professional production, and were amazed to learn after the show that everyone involved was a volunteer. We’ve remained amazed at the ongoing commitment of talented, hard-working people this theater inspires. It is what keeps us here, and is one of the reasons that, after 90 years, it is still thriving and growing.
The ads for this place say, “family-friendly”, and I can’t stress enough how true that is and how important it has been for us as both audience and as we’ve become part of the company. The shows involve whole families. Children grow up in this theater into kind, committed young adults, and having so many wonderful teens (and adults) as role models for our children has been yet another unexpected blessing of being here.
I’ll close by noting that presenting a story of a broken family becoming whole has driven home for me at a visceral level how positive an experience involvement in outdoor theater has been for our own family. With walks through the woods and along the creek, game nights in the cabin, building sets, and rehearsing scenes together, it’s like classes and summer camp for the whole family, plus we get to be in shows…great shows! The last night of tech rehearsal, my 11 year-old daughter Jasmine came to me and said, “you know, I just realized that – metaphorically – the lark is Mr. Banks,” to which I had to reply, “I never thought of that. I’ll use that.” And that’s the best thing. As a parent, you get chances to teach your children things or to watch them learn things, but the opportunity to learn things, about life, art, creativity and hard work -- with your children is, “much rarer, and much more valuable.” And we cherish it. Hope to see you at the theater!
When you combine top-notch directing, choreography, music directing, costumes, special effects and sets (throwing in a lot of imagination) you create a magical show that is "practically perfect in every way"! Record audiences are loving this production of Mary Poppins and we have received many positive reviews from audience members. Here are several:
"We just had the greatest experience going to see Mary Poppins. The play was so well done, and the whole experience of the theatre was amazing! We definitely recommend this adventure!!!!" Alta M, facebook comment
"My husband and I and our son, daughter-in-law and granddaughter just attended a performance of Mary Poppins at the Kitsap Forest Theater. This was our 26
"We have brought many friends and other family and they have all enjoyed themselves. The second time we brought our granddaughter (age 3) we brought one of her friends. Once we got settled and had started our picnic she explained to her friend that "first we eat lunch, then they come out and sing and dance, then we have dessert and they sing and dance some more. Then we all clap and we get to go down and meet the people, but don't step on the ferns". We all were speechless that she remembered so much from her first visit the year before."
“… the Mountaineers Players and director Craig Schieber have constructed a fine and representative "Poppins" out there in the trees … an admirable and often highly successful take on a very complex and difficult show to pull off, even in the best of conditions. Schieber, musical director Amy Beth Nolte and – especially – choreographer Guy Caridi and costumer Barbara Klingberg have made the setting and the story work together … finding simple and inventive ways to represent the magic in the familiar tale of a nanny who rescues a dysfunctional English family … a very good, well-cast and well-rendered show, with lots of nice little touches, pretty constant color and movement and a few visual surprises. 
And you'll hear a strong collection of voices, and a blink-and-you'll-miss-it little bit of offstage choral backing during "Feed the Birds" that is as lovely as anything I've heard in my years of KFT campouts.”
“. . . [the] production numbers – particularly the dance-filled "Step in Time" – are visual treats. Schieber and Klingberg often find appealing and ingenious ways to turn people into props: Kites, toys, even the merchandise in Mrs. Corry's "Talking Shop" all become characters, adding measurably to the show's visual appeal.”
Michael Moore’s review also includes an advisory for families with very young children:
Forest theater hosts the magic of 
"The script is rich enough, and the songs are rich enough," Schieber said, "that the show can carry itself. But we have a great cast, and we have our great costumer (Barbara Klingberg).
"The stage play has more depth, and more story line," Schieber said of the book by Julian Fellowes, which retained the Robert B. Sherman-Richard M. Sherman songs — and some of the situations — from the movie version, but re-purposed them to fit into the revamped story line. (Melodist George Stiles and lyricist Anthony Drewe wrote additional songs to flesh out the musical.) "The books are a lot of short little bedtime stories, and the show takes several of them and builds a story around them."
Joseph Martinez (Michael Banks) is excited to be returning to the Kitsap Forest .jpg "Joseph Martinez at rehearsal at the Kitsap Forest Theater")
Theater for the 3rd year in a row. Joseph is 10 years old, lives in Shoreline, and is homeschooled. He is excited to be a human this time after playing a tiger and baby Tumnus in Narnia, and a duckling in Honk!
.jpg "Joseph Martinez in Honk!")
On top of learning his lines, music, and choreography, Joseph has worked with a dialect coach to learn a British accent. “I first became interested in a British accent after watching World Cup soccer games and now it’s fun to get formal training on learning a real British accent.”