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Meet our Glinda

Sarah Fairchild Headshot DSC 0136 finalSarah Fairchild is thrilled to have the opportunity to bring Glinda, one of her favorite characters, to life – and to wear a really sparkly dress while doing so! She counts herself very lucky to get to wear what she thinks are some of the best costumes out at Kitsap Forest Theater – if you saw The Little Mermaid, you may remember her as Aquata, the very sassy pink mersister. She is ecstatic to return for a second time to her glittery summer home under the trees.

Sarah MG 1481Sarah is a local lighting designer and actor. She has worked on lighting teams at 5th Ave, Balagan, SMT, Can Can, and Driftwood. She’s also been seen onstage most recently as Beth March in SMT’s Little Women and will be appearing next as Jane in KFT’s summer show Tarzan.

Here’s what she has to say about the enduring nature of this year’s production of The Wizard of Oz:

“When I was growing up, whenever something didn’t go my way or I didn’t try my very best, my mom used to quote The Wizard of Oz. She would tell me that I had the magic slippers on and all I needed was to figure out how to use them.

“I hated it. I thought it was trite and clichéd because gosh Mom, we don’t live in a fairy tale!

“But then I came to realize what she meant. That I – that we all – no matter how badly things seem to be going, can reach down and find the strength and the power within us. That we can use our own power, our talents, and our ability to try harder, to do what needs to be done, and to succeed in our endeavors.

Sarah MG 1477“To me, this is the most enduring message of The Wizard of Oz. This message empowered me to not give up, and to continue to strive to get better despite sometimes seemingly insurmountable odds. Although Dorothy relies on the help of other characters throughout the show – as we all must do in real life – she is ultimately the one who has power over her own fate.

“The most magical moment of The Wizard of Oz is when Dorothy clicks her heels together and sends herself home. She has found the power within herself, and Glinda facilitates that for her. She doesn’t give her all of the answers, but she protects and shelters her, letting her adventure out on her own.

“I hope that everyone who watches this show is able to by empowered by Glinda’s message. You are strong, you are powerful, you have the magic slippers on – you just have to figure out how to use them.”

The Wizard of Oz opens May 28th. Get your tickets now and don't miss out on this heartwarming show.

 
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Meet our Ariel

ArielAnna Vizzare headshotAnna Vizzare is thrilled to have the opportunity to portray a dream role in such a magical environment. This is her second summer in the forest, after she appeared in Shrek last summer as Teen Fiona and one of the Three Blind Mice.

Anna is extremely passionate about musical theatre. She graduated from Holy Names Academy just one year ago, and at 19, is pursuing further studies to propel her on-stage career. Some of her favorite past roles have included Olive in The 25th Annual Putnam County Spelling Bee and Penny in Hairspray. Anna also has a deep love for dance and is lucky to train at The Studios and work with her teacher, Chryssie Whitehead.

Here is what Anna has to say about her experience in The Little Mermaid:

“I am so honored to give my take on such an iconic character in a show we all know and love. It’s even more exciting to get to do this in a beautiful forest environment.

Anna Vizzare as Teen Fiona(2)I’ve found such joy in finding her deeply human qualities and bringing those to life in a way that animation simply cannot. She is passionate, feisty, curious, and has the biggest heart in the world.

Ariel Flounder 1Exploring this story on stage has given me new insight into the lack of understanding between Ariel and other characters. Most obviously, there is a communication barrier between Ariel and Eric, but there is also a deep divide between Ariel and King Triton. That father-daughter relationship is built on love, but becomes strained out of Ariel’s desire for something her father fears.

What ties this whole show together is the community that the Kitsap Forest Theater creates. Every single day at rehearsal, I feel lucky that I get to do what I love with people who have become like family to me. We’re all working toward the moment we will perform for you, and welcome you into this community!

This is going to be an unbelievable show and you won’t want to miss it!” 

Invite your friends and family to enjoy this spectacular show - buy your tickets today!

 
 
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Kitsap Forest Theater submerged for ‘The Little Mermaid’

KITSAP SUN PREVIEW By Michael C. Moore, This email address is being protected from spambots. You need JavaScript enabled to view it.; July 26, 2016

FOREST THEATER SUBMERGED FOR 'THE LITTLE MERMAID'

Ariel Eric dancing

SEABECK — Andrew Coopman came from New York to the Seattle area because he wanted his work in theater to be more inspired by nature.

After less than a year, he seems to have hit the jackpot.

"A fellow cast member, Tod Harrick, told me they were doing 'The Little Mermaid' at the Kitsap Forest Theater," Coopman said as a rehearsal wound down at the rustic amphiteater. "I looked at him and said, 'What do you mean, a forest theater?'"

Harrick, a veteran of a number of productions put on by Seattle's Mountaineers Players at the venue, did his best to explain, and did a good enough job entice Coopman — who had been working with Edmonds' Driftwood Players and Studio East in Kirkland — to cast his line for the "Little Mermaid" directing job.

"It was like all the puzzle pieces fell together," Coopman said. "I wanted to be inspired by nature, and all of a sudden I was here. It's unbelievable."

Sebastian FlounderAn unabashed fan of the Alan Menken-Howard Ashman musical, which began life as a Disney animated feature, Coopman said he understood, even before seeing the amphitheater for the first time, the difficulties of pulling off a show set largely under the sea, without benefit of lighting or other special effects.

"I came out last winter and drew a bunch of pictures, which helped me block the show," he said. "I really wanted to designate between areas that were going to represent dry land and those that were going to be the ocean. I wanted to create levels that would help identify where we are."

Even more important in the process of pulling audiences under water will be the costumes, designed by Misha Perritt and constructied from scratch by Perritt and a phalanx of assistants. Coopman said they will be as evocative as possible of the undersea setting, while still being true to the iconic characters.

"For a lot of the costumes, we were going more for suggestions, things that were nautical," he said. "Misha has done a wonderful job of coming up with all these original looks, while still referencing the characters everyone will recognize."

Coopman said his efforts to expand the roles of the production's ensemble players — working them into more of the show's song-and-dance numbers by putting them in multiple roles — made Perritt's job even more formidable.

"I think we ended up with 105 costumes, all from scratch," he said. "There are the leads and the Mersisters (one of whom is played by Perritt's daughter, Mia), and they all have a lot to do. But I wanted to bring the ensemble into more than a few of the songs, which meant a lot more costumes.

"I think she (Perritt) probably hates me," he laughed.

Ariel Flounder 1A good portion of the cast for "Little Mermaid" is new to the Mountaineers, but there still are plenty of links, both familial and otherwise. Anna Vizarre, who's playing Ariel, and Jonathan Fowles (Sebastian) both were in last summer's "Shrek: The Musical." Musical director Ben Bentler was the accompanist for last spring's "The Music Man," in which choroegorapher Molly Hall played a featured role. Keyboardist Olivia Hickerson has been on hand for a number of KFT shows.

Key newcomers include Kori Lopreore (Eric) and Natasha Chen, a KIRO-TV reporter in her day job, as the villainous Ursula.

The rehearsals for "Little Mermaid" have introduced Coopman to working in the outdoors in ways he probably hadn't imagined.

"I'd never been camping before," he said of the rehearsal regimen that puts the largely Seattle-based cast and crew in tents and sleeping bags in the weeks before the show opens. "It's fun for me just on that level, doing something new. But it also really helps to build this ensemble. You meet everybody's families, get to know everyone."

Kitsap Sun Preview

 

 

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